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Is Blade of The Immortal good?
It’s pretty good.
It’s pretty good.
What is it, exactly?
A new samurai movie from Takeshi Miike, based on the manga by Hiroaki Samura.
A new samurai movie from Takeshi Miike, based on the manga by Hiroaki Samura.
“Takeshi Miike” sounds familiar. Should I know who that is?
Yes, you should.
Yes, you should.
Oh. So, who is he?
Takeshi Miike is 56 years old and directed his first movie in 1991, the same year as his first television directing gig. Blade of The Immortal, released this year, marks his 100th credit as director. No, you didn’t mishear: This man – this man right here – directed 100 complete films, video and television projects within only 26 years… and if you think that’s impressive: FIFTEEN of those were made between 2000 and 2001 alone! Often thought of as the “face” of Japanese underground moviemaking, Miike subscribes to a filmmaking philosophy that one good scene or even just one great shot is worth making an entire movie to set up.
Takeshi Miike is 56 years old and directed his first movie in 1991, the same year as his first television directing gig. Blade of The Immortal, released this year, marks his 100th credit as director. No, you didn’t mishear: This man – this man right here – directed 100 complete films, video and television projects within only 26 years… and if you think that’s impressive: FIFTEEN of those were made between 2000 and 2001 alone! Often thought of as the “face” of Japanese underground moviemaking, Miike subscribes to a filmmaking philosophy that one good scene or even just one great shot is worth making an entire movie to set up.
Wow. That’s a lot of movies. Are they mostly samurai films like this?
Not even close. Best known for producing ultra-violent Yakuza gangster films often centered on challenging societal prejudices against cultural and ethnic minorities within Japanese culture like Dead or Alive and Ley Lines. Miike has made films in almost every conceivable genre from acclaimed horror films (Audition, Gozu, and Imprint), taboo-breaking lurid shockers (Visitor Q, Ichii The Killer and Fudoh: The New Generation), family movies (The Great Yokai War, Ninja Kids and Zebraman), acclaimed historical action features (Hara-Kiri and 13 Assassins). And of late he’s gained renewed fame as a reliable helmer for adaptations of anime, manga and video games – including Ace Attorney, Yatterman, Terraformars and the upcoming live-action version of Jojo’s Bizarre Adventure: Diamond is Unbreakable.
Not even close. Best known for producing ultra-violent Yakuza gangster films often centered on challenging societal prejudices against cultural and ethnic minorities within Japanese culture like Dead or Alive and Ley Lines. Miike has made films in almost every conceivable genre from acclaimed horror films (Audition, Gozu, and Imprint), taboo-breaking lurid shockers (Visitor Q, Ichii The Killer and Fudoh: The New Generation), family movies (The Great Yokai War, Ninja Kids and Zebraman), acclaimed historical action features (Hara-Kiri and 13 Assassins). And of late he’s gained renewed fame as a reliable helmer for adaptations of anime, manga and video games – including Ace Attorney, Yatterman, Terraformars and the upcoming live-action version of Jojo’s Bizarre Adventure: Diamond is Unbreakable.
Okay, so, while I google how to watch all of those; what’s this one about?
As implied by the title, it follows the adventures of wandering swordsman named Manji cursed both by guilt at a tragic mistake committed in his past and more immediately by mysterious blood parasites that heal all of his wounds and prevent him dying – even though he really kind of wants to at this point. The film is based on the first arc of the original manga, in which Manji is hired by a teenage girl named Rin to hunt down and kill the men who murdered her father. He is a cult-like gang of weapon masters who seek to wipe out the established schools of swordsmanship and replace them with their own militantly-informal style.
As implied by the title, it follows the adventures of wandering swordsman named Manji cursed both by guilt at a tragic mistake committed in his past and more immediately by mysterious blood parasites that heal all of his wounds and prevent him dying – even though he really kind of wants to at this point. The film is based on the first arc of the original manga, in which Manji is hired by a teenage girl named Rin to hunt down and kill the men who murdered her father. He is a cult-like gang of weapon masters who seek to wipe out the established schools of swordsmanship and replace them with their own militantly-informal style.
Blade Of The Immortal (2017) Direct Download
That’s it?
That’s pretty much it, yeah. Apart from the magical healing and existential angst, this franchise is about as classical as it gets so if you’ve seen one other tormented ronin samurai movie you know what you’re in for. Manji and Rin wander from place to place hashing out their respective backstories and philosophies, stopping every few minutes for a brutally-violent fights to the death usually themed around the colorful one-off opponents or Manji’s ridiculously large collection of strange and elaborate swords. Which he always seems to be carrying though it’s somewhat unclear where he’s keeping all of them.
That’s pretty much it, yeah. Apart from the magical healing and existential angst, this franchise is about as classical as it gets so if you’ve seen one other tormented ronin samurai movie you know what you’re in for. Manji and Rin wander from place to place hashing out their respective backstories and philosophies, stopping every few minutes for a brutally-violent fights to the death usually themed around the colorful one-off opponents or Manji’s ridiculously large collection of strange and elaborate swords. Which he always seems to be carrying though it’s somewhat unclear where he’s keeping all of them.
And it’s not great?
Miike’s “pretty good” is usually more fun than most filmmakers’ “great,” but yeah it’s a solid but kind of average movie. As mid-budget action goes, it’s probably on the strong side for this year; though devotees of Miike’s larger body of work may be disappointed to find that this one is much more on the conventional side. Largely eschewing the digressions into outright comedy or other radical changes in tone that define his style elsewhere and overall adhering to an interesting conceit of portraying the over-the-top anime/manga-style violence and fighting techniques without a lot of exaggerated visual flourish. Instead, it almost looks like these otherwise absurd characters and their preposterous weapons are inhabiting a fairly realistic (almost mundane) recreation of mid-Edo period Japan.
Miike’s “pretty good” is usually more fun than most filmmakers’ “great,” but yeah it’s a solid but kind of average movie. As mid-budget action goes, it’s probably on the strong side for this year; though devotees of Miike’s larger body of work may be disappointed to find that this one is much more on the conventional side. Largely eschewing the digressions into outright comedy or other radical changes in tone that define his style elsewhere and overall adhering to an interesting conceit of portraying the over-the-top anime/manga-style violence and fighting techniques without a lot of exaggerated visual flourish. Instead, it almost looks like these otherwise absurd characters and their preposterous weapons are inhabiting a fairly realistic (almost mundane) recreation of mid-Edo period Japan.
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Like most of Miike’s middle-of-the-road films, the details in between the obligatory story-filler and the money-shot fight scenes are a treasure trove of weird, small moments that reward your attention. Most notably, Takuya Kimura’s performance as Manji. Popular culture has given us A LOT of “immortal” heroes sulking cynically through the ages, but Kimura put’s a decidedly different spin on a character who very easily could’ve just been “period Japanese Wolverine.” And instead comes off like a guy who perpetually “just woke up” and is kind of annoyed that he has to fight people again today. I especially like the way he doesn’t really put much effort or specific style into his sword fighting unless he’s got something else going on since, y’know, why would he HAVE to be good? It’s not like he can lose.
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![Immortal Immortal](/uploads/1/2/6/5/126597244/229287986.jpg)
Justin bieber sorry music download. Is there a main issue holding it back?
It’s a little too long thanks to the overly stretched-out middle part, and even though it opens and closes with huge-scale one-versus-an-army battles that are indeed worth the whole ticket price there’s really no reason that material this routine needed to be 2 ½ hours long.
It’s a little too long thanks to the overly stretched-out middle part, and even though it opens and closes with huge-scale one-versus-an-army battles that are indeed worth the whole ticket price there’s really no reason that material this routine needed to be 2 ½ hours long.
But you recommend anyway?
Sure. It’s not a masterpiece, but it does the job, and it’s different enough to get into even if you’ve had your fill of bloody samurai movies for whatever reason. Worth seeking out.
Sure. It’s not a masterpiece, but it does the job, and it’s different enough to get into even if you’ve had your fill of bloody samurai movies for whatever reason. Worth seeking out.
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Blade Of The Immortal 2017 Hindi Dubbed Download
If you're not familiar with the works of director Takashi Miike then by all means become so. This Japanese director has been making feature films since 1995 and is recognized as one of the most influential directors of his generation. His first major splash in the US came with the film ICHI THE KILLER, a yakuza film known for its brutal depiction of violence. Here we are 22 years later and Miike has just unleashed his 100th film as a director. No small feat, especially or perhaps in spite of his not being a member of Hollywood. And BLADE OF THE IMMORTAL is an amazing film to behold.
Based on the manga comic of the same name the movie tells the story of Manji, a Samurai on the run after killing a corrupt official and his bodyguards. Unfortunately he's done so in front of one of the guard's wife who goes mad. Now he feels obligated to protect her. It isn't long before bounty hunters track him down, kill the woman and launch Manji into a fit of rage with him attacking all 100 of them. Mortally wounded an 800 year old nun approaches him and gives him new life by placing magical bloodworms inside his body, providing him with immortality.
50 years pass and Kagehisa Anotsu and the Itt-ry clan are making their way across Japan and giving fencing schools the option of either joining them or being eliminated. One of the schools they approach refuses and the school's leader is killed in front of his young daughter Rin. Rin escapes and swears revenge. Seeking help she learns of Manji and approaches him to help her and he refuses.
That all changes when Rin is attacked by Sabato Kuroi, a member of the Itt-ry clan, who approaches her with her mother's head mounted on his shoulder. Manji comes to the rescue and agrees to be Rin's bodyguard.
As well as training Rin, Manji protects her by fending off attacks from other various members of the Itt-ry clan. Each battle displays his weaknesses to both Rin and his attackers and each one uses those weaknesses to their advantage. While Manji is immortal it doesn't mean he can't be severely wounded.
As this is going on more plotlines are moving forward, in particular and offer delivered to Kagehisa Anotsu from the Shogunate to train the leader's warriors. Before doing so he plans on visiting a dojo leader on Mt. Takao. But as with most stories neither plot moves in a straight line and crosses and double crosses on both sides occur leading to a climactic battle involving one of the largest and most impressive swords battles ever captured on film.
If all of this weren't enough there are two subplots taking place here as well. The first is the revenge motif on display not just from Rin but from Anotsu as well. One segment has him explain why he's doing all of this. The second is the question of immortality. Some would think it a blessing but here we see it as a curse. To live forever and to watch others fall while you carry on, to have next to no purpose in life and yet be forced to live on watching others move forward it the burden that Manji bears. When he meets another immortal, a warrior who has lived 800 years and wants nothing more than death, he's forced to confront his reason for existence.
Miike's use of extreme violence is well on display here but far less than has been seen in his previous films or for that matter in any number of gore drenched horror films in recent years. While blood may flow at various times it isn't the gushing display seen in most movies these days. Here the violence ties into the story and the times it takes place in, a time when razor honed swords wound their way through flesh like a hot knife through butter. This was the way of life for a warrior in Japan then and Miike captures it with flair.
But the story is not based on fact, the immortality should have given that away, but on a story that melds comic book mentality with legends of long ago. Call it a disturbing fairy tale with hints of dark comedy thrown in for good measure. Miike takes these elements and mixes them with his own style to create a fascinating movie.
On top of a great story this movie looks amazing. The cinematography here, much of it taking place outdoors and with a vast number of extras in huge battle sequences, is a sight to behold. And those fights involve stunt work and blade avoidance that flawless.
There may be movies more familiar with movie fans or renters released this week but for me this was the best being offered. Dubbed for those who hate subtitles, make sure you look for this one.
Based on the manga comic of the same name the movie tells the story of Manji, a Samurai on the run after killing a corrupt official and his bodyguards. Unfortunately he's done so in front of one of the guard's wife who goes mad. Now he feels obligated to protect her. It isn't long before bounty hunters track him down, kill the woman and launch Manji into a fit of rage with him attacking all 100 of them. Mortally wounded an 800 year old nun approaches him and gives him new life by placing magical bloodworms inside his body, providing him with immortality.
50 years pass and Kagehisa Anotsu and the Itt-ry clan are making their way across Japan and giving fencing schools the option of either joining them or being eliminated. One of the schools they approach refuses and the school's leader is killed in front of his young daughter Rin. Rin escapes and swears revenge. Seeking help she learns of Manji and approaches him to help her and he refuses.
That all changes when Rin is attacked by Sabato Kuroi, a member of the Itt-ry clan, who approaches her with her mother's head mounted on his shoulder. Manji comes to the rescue and agrees to be Rin's bodyguard.
As well as training Rin, Manji protects her by fending off attacks from other various members of the Itt-ry clan. Each battle displays his weaknesses to both Rin and his attackers and each one uses those weaknesses to their advantage. While Manji is immortal it doesn't mean he can't be severely wounded.
As this is going on more plotlines are moving forward, in particular and offer delivered to Kagehisa Anotsu from the Shogunate to train the leader's warriors. Before doing so he plans on visiting a dojo leader on Mt. Takao. But as with most stories neither plot moves in a straight line and crosses and double crosses on both sides occur leading to a climactic battle involving one of the largest and most impressive swords battles ever captured on film.
If all of this weren't enough there are two subplots taking place here as well. The first is the revenge motif on display not just from Rin but from Anotsu as well. One segment has him explain why he's doing all of this. The second is the question of immortality. Some would think it a blessing but here we see it as a curse. To live forever and to watch others fall while you carry on, to have next to no purpose in life and yet be forced to live on watching others move forward it the burden that Manji bears. When he meets another immortal, a warrior who has lived 800 years and wants nothing more than death, he's forced to confront his reason for existence.
Miike's use of extreme violence is well on display here but far less than has been seen in his previous films or for that matter in any number of gore drenched horror films in recent years. While blood may flow at various times it isn't the gushing display seen in most movies these days. Here the violence ties into the story and the times it takes place in, a time when razor honed swords wound their way through flesh like a hot knife through butter. This was the way of life for a warrior in Japan then and Miike captures it with flair.
But the story is not based on fact, the immortality should have given that away, but on a story that melds comic book mentality with legends of long ago. Call it a disturbing fairy tale with hints of dark comedy thrown in for good measure. Miike takes these elements and mixes them with his own style to create a fascinating movie.
On top of a great story this movie looks amazing. The cinematography here, much of it taking place outdoors and with a vast number of extras in huge battle sequences, is a sight to behold. And those fights involve stunt work and blade avoidance that flawless.
There may be movies more familiar with movie fans or renters released this week but for me this was the best being offered. Dubbed for those who hate subtitles, make sure you look for this one.